Ben Ayre - Footlocker
2024
BTS Reel Video for Ben Ayres Luka 3 Campaign
Directed by @romananastasios
Production @outro.au
Producer @oscarcarveth
DP @jrbfilms
Gaff @alessiachapman.dp
AC @jesse_haless
BTS @aybmalouf
Production Design @mj.k
Colour @aplus_colourstudio
Edit @romananastasios
Sound @chrislanzon
“Say My Name” Campaign- WNDRR
2024
BTS Reel Format for WNDRR
Creative Director: @kirbsone
Production: @outro.au
Director: @romananastasios
Producer: @oscarcarveth
DP: @jrbfilms
Gaff: @_.rileylewis._
Sound @scrumptios_bea
BTS @aybmalouf
Prod Assist @cleo.anastasios
Edit: @romananastasios
Colour: @jrbfilms
Sound: @chrislanzon
Studio: @wemov
Talent: @karalee @fvckyourinstagram @soumazing @mr_elevate @msakoojee @shadmangati @mizhap_ @iii.aman @alexandre.permal @sheppard @abrahamponi @dannyrants @benwardscissorhands
True Reflection (untitled)
2024
Inspired by the Asian immigrant experience and Michelle Yeoh’s rise to notoriety in the western world, this film explores the concept of fame, stardom and most importantly one’s heritage and identity. The film shines light through the costumes; on when one attempts to strips themselves of their heritage and tries to assimilate into the boarder unfamiliar western world, it always ends in confusion, self-doubt and feelings of dysphoria. When one embraces and celebrates their own background and customs, individual not only honour their true selves but also find the path to genuine achievement and fulfilment.
Stettin Jewellery
2024
We are excited to partner with Stettin, a Melbourne and Poland-based brand passionate about classic jewellery design. Founders Karlo Szczepaniak and Patrycja Bolzan blend timeless elegance with modern sophistication.
We created dynamic and reusable content for Stettin, perfect for TikTok and Instagram, showcasing their meticulous craftsmanship and innovative designs. Stay tuned for an exclusive look into their world of artistry and timeless beauty.
IMME Studios
2023
Dir: @fuksike @mimi8miaou
Cam/Edit: @aybmalouf @__evyuyu
Models: @exoticpetdealer @larabincroft.000
Styling, Hair, Makeup: @fuksike @mimi8miaou
Song: Morning Light [Spinning Around] - @prizef1ght
The Shoe Fits - Hope Gang
2024
Song prod Ali Prod: @aybmalouf Cam 1: @_tra5hh Cam 2: @aybmalouf VHS: @alexx.com.au Digi: @mj.k Lighting: @alexx.com.au Set: @mj.k Edit: @__evyuyu @aybmalouf Graphics: @bootlegcomics
Meg Mac²⁰²³
Andanar Josef collaborated with Meg Mac at Splendour in the Grass and Ability Fest 2023, producing Digital Tape Camcorder to Wireless Streaming for the Video Wall. This project required meticulous planning and choreography, in collaboration with Video DJ Rachel Johnston and Audio Visual Engineer Roly Elias. Additionally, they used 4K cinema camera footage to create a deep and meaningful conceptualised piece of mixed media, referred to as a live music video on stage. Different effects and choreography were planned and memorised for each song, ensuring a unique visual experience for the audience.
Juno Mamba ²⁰²¹⁻²⁰²²
Andanar Josef created a series of music videos for Juno Mamba, using nostalgic MINI DV footage for "Blue Light," combining Australian and Southeast Asian scenes for "Borders," and showcasing serene Australian landscapes for "Rainbow Infinity," each evoking unique emotional themes.
Borders
2022
"Borders" is a heartfelt tribute to Vinci's mother and the sacrifices she made for their family. The music video, created by Andanar Josef, utilized MINI DV tape footage from Aybram Malouf, along with additional footage filmed by Enrico Yu of Juno Mamba and various locations in Australia and Southeast Asia. This combination provided a personal and emotional backdrop to the song’s narrative, effectively highlighting themes of migration and gratitude. The selected footage aimed to evoke nostalgia and celebrate her life, targeting the millennial electronic music audience with its emotionally rich visuals.
Rainbow Infinity
2021
Rainbow Infinity" is a gentle, heartfelt song dedicated to Vinci's Lola, incorporating audio snippets from her funeral. The video, produced by Giovanny Estrella, tells a story using footage of cold yet sunny Australian locations, completed using stunning landscapes. Unlike the other videos, it does not aim to evoke nostalgia but instead creates a serene and reflective atmosphere, celebrating her life through the beauty of the natural environment.
Blue Light
2021
"Blue Light" is a euphoric dance track that captures the essence of youthful first experiences. The music video, crafted by Andanar Josef, used exclusively MINI DV tape footage collected by Aybram Malouf from 2016 to 2021. These clips, showcasing key events in Aybram’s life, were specifically chosen to evoke nostalgia and longing, resonating with the millennial electronic music scene.
Metdog ²⁰²⁰⁻²⁰²⁴
Andanar Josef's work with Metdog includes the color-graded "Screen Time" in Brunswick, the grungy black-and-white "Live at Old Bar," the nostalgic "Live at Gem Bar," and the multi-camera green screen "Live in The Shed," showcasing their versatile and innovative video production techniques.
Screen Time
2023
"Screen Time" marks Metdog's first music video, filmed across key locations in Brunswick. Andanar Josef explored the world of Metdog through different lenses, using varied color grading techniques to evoke distinct themes and styles reflective of the mixed youth and cultures within Melbourne’s vibrant suburbs. The video features 3D photography by Alexander Sudakov and color correction by Finn Pettitt, enhancing the tones and colors to align with Finn's signature photographic style.
Live at The Old Bar
2024
Filmed at the popular Melbourne venue The Old Bar in early 2024, "Live at Old Bar" captures the essence of the city’s punk scene. Andanar Josef utilized a black-and-white, grunge style with scratched, choppy imagery to bring the trendy aesthetic of Melbourne's punk photography to life. The video delivers a raw, energetic portrayal of Metdog's performance, resonating with the gritty atmosphere of the venue.
Live at Gem Bar
2022
Recorded during the summer of 2022, "Live at Gem Bar" documents Metdog's single launch performance at Gem Bar, one of Andanar Josef's first live event recordings. The video focuses on quirky, old-style camera filters to maintain the theme of the song "When I Look Around." This approach creates a nostalgic and intimate visual experience, capturing the essence of the band's early live shows.
Live at Thornbury Bowls Club 2024
Fisheye + VHS
Live Set in Shed 2020
3 Cameras + Green Screen
Face-book Crack Baby ²⁰²²⁻²⁰²⁴
Andanar Josef's video work for Facebook Crack Baby showcases a diverse range of innovative techniques and artistic collaborations. "hrt atk" features 360-degree camera footage with video game-like transitions by Nosgov, set in Melbourne's graffiti-filled tunnels. "band aid" incorporates Amelia Huang's creative direction, using top-down angles and playful lighting inspired by early internet culture. Their debut video, "Abusive," utilises Bootleg Comics' graphic animation with neon, childlike themes and intense visual effects. Each video blends technology and artistry to produce visually captivating and thematically rich content.
hrt atk
2023
"hrt atk" is an innovative music video filmed by Aybram Malouf and edited by renowned Polish musician Nosgov. Utilizing a 360-degree camera and a backpack attachment, the video creates a video game-like feel, exploring Melbourne's unique underground tunnel systems adorned with graffiti. The fast-paced camera work and detailed transitions crafted by Nosgov enhance the dimly lit, moody clips, delivering a visually immersive experience that perfectly complements the high-energy track.
bandaid
2022
In "band aid," Andanar Josef collaborated with creative director and lighting expert Amelia Huang to bring the artist’s playful vision to life. The video features top-down angles and vibrant, colorful lighting, drawing inspiration from the early internet culture the group grew up with. Incorporating the artist’s drawings and generating sparkles, the video exudes a nostalgic yet contemporary charm, aligning with the whimsical and experimental essence of the song.
abusive
2022
"Abusive," the first music video created for Facebook Crack Baby, showcases graphic animation developed by popular Melbourne artist Bootleg Comics. The video is enriched with intense visual effects and a dynamic use of color and sound to reflect the mood of the song. The neon, childlike theme embodies the early concepts of Facebook Crack Baby’s work, creating a visually striking and emotionally resonant experience that highlights the artists distinctive style and vision.